Sora no Kikou ~The sky of the longing for memories~

Early this autumn, my friend from Japan brought me back several items, the one presented in this entry is Sora no Kikou ~The sky of the longing for memories~, featuring digital backgrounds by the studio CoMix Wave. The book is a 175 page softcover, the majority of which are images, which I find uncommon for most fanbooks. The pages are smaller than your standard letter/A4 meaning the images are a small, and knowing the level of detail in Makoto Shinkai’s work I think these images could be spectacularly crisp even if enlarged 4× the size. Inside you will find hundreds of backgrounds from Byousoku 5 Centimeter (5 Centimetres per Second), Kumo no Mukou, Yakusoku no Basho (The Place Promised in Our Early Days), Hoshi no Koe (Voices of a Distant Star), and a TV advertisement for the newspaper “Shinano Mainichi Shumbun”.

In addition to the backgrounds, there is a section about the software and technique behind CoMix Wave’s animation, which based on my very limited Japanese seems to talk about the key features of the software they use at various stages of production. There is also a lengthy (Japanese) interview with Makoto and other key members of his studio.

Aside from the special sections, all the work presented are direct cutscenes from the animation or the background renderings, minimizing the presence of any characters. Unlike my Clannad or Spirited Away artbooks, there are no sketches, hand paintings, storyboards or other evidence of development. Nevertheless, it is still a beautiful resource for fans of animation and digital artwork, it is simply amazing how much vividness and emotion Makoto can put in a drawing of a pencil and eraser or a high-rise construction crane.

Again, I don’t want to damage the book’s spine nor do I have a worthy scanner, so I have uploaded another photo-gallery. Apologies for the inconsistent images, I was struggling to find a good method of holding the book open. For your convenience, a batch download is available (just the images below, not the entire book):

• Sora no Kikou ~The sky of the longing for memories~ Photos (7.75 MB RAR archive)

I had thought of buying this phone for a long time, but because Nokia Build only currently operates in Europe there were a lot of issues with regard to payment shipping. Luckily I have a friend studying in the UK who bought it on my behalf and brought it over this June. The total was €142 including shipping and VAT (tax), which is approximately $224 CAD or 200 USD. A quick eBay search reveals that the current typical Canadian price is about $190, and that’s without the most important part: the loli custom cover.

Naturally, it’s a little embarrassing to have it out; luckily it came with extra covers that can be quickly interchanged. I imagine for more professional environments I’ll have to think ahead and stick on the blue cover. The green one is plain fugly, but it was either blue & green or pink & white.

The resolution and quality of the custom image are mediocre, if you look closely there’s some obvious distortion from downsampling and I’d have preferred a matte finish over a glossy finish. But, thinking about it, people will either be too engrossed or disgusted over the content to make such observations.

The default ring tone right now is ‘Don’t Say Lazy’ (the ED theme from K-ON) and I made a Mio theme for the menu and startup/shutdown screens. I’m wondering what accessories to put on it, maybe a lace-like string not unlike the Fujibayashi’s hair… whatever you call it?

1:50 Laser-cut anime figures from 3mm basswood

In other Otaku news, I had some extra time with the laser cutter and I decided to cut out some 1:50 scale figures out of 3mm basswood to use in my architecture models. Anime figures are the easiest, firstly because I have a huge collection of images, and secondly because the cel-shading and relatively simple backgrounds call for easy extraction. In many cases I could just plop them into Photoshop, run a few filters, send it to Illustrator and live-trace the outline. I also had my wallpaper which already had silhouetted figures which can go directly into illustrator for a live-trace. I already have 80 or so cuts of about 10 different characters (some anime some non-anime) but I’m definitely going to do this again if I book spare time on the laser cutter in the future.

The following are my source images. I left out a lot of details like kannagi’s hair and shoujo-wand, because I am using these in an academic context and I don’t want it to be totally obvious that I’m using anime characters…

There probably won’t be many updates for the next two weeks, but once I’m back home things should start to pick up again. I’ll be doing some periodicals on K-ON! and am considering following Saki, since I am a mahjong player myself), and I’m looking for somewhere to buy more Ghibli artbooks.

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I hope you all have at least heard of her, but for those that haven’t, Yoko Kanno is one of the most famous music composers in the anime and video game industry. Her list of works is not the longest, but she far exceeds in quality. Some works include the soundtracks for Cowboy Bebop, Ghost in the Shell, Card Captor Sakura, and the Honey and Clover live action movie.

Before we can fully appreciate a soundtrack, we must understand the setting the songs will be used in. Ragnarok Online 2 is a medieval fantasy world based on Norse mythology, and the main focus of the game is adventure and socializing. The game world is very pristine, with large fields, swamps, and forests alike. In the towns, there is a very rustic historical feel, and the attire the characters wear share similar qualities.

If you like symphonic compositions with a very serene cultural feel, you will most definitely love this soundtrack. The primary palette includes the viola, piano, harp, and hand drums. There are some select tracks with goodies like the mythical vocalist Gabriela Robin, and some great supporting instrumentals like the didgeridoo, marimba, and pan flute.

The first song you hear is the intro theme to the game. My first time opening the game to the login screen, I couldn’t help but listen to half the song before entering my login credentials. We hear a vocal feature in a fantasy language, which to me sounds like a mix between Latin, French and Elven. The harp and string chorus pull my consciousness into the vast outdoors; I feel as if I am flying in the air over a vast plain with forests and mountains looming in the horizon.

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Welcome, young adventurer, to the town of Hodemimes. This is a quiet coastal town with no more than a few dozen yurts and pavilions. It is here where adventurers start their journeys; a friendly, social, but quiet community. At the outskirts there is a vast coastal field for novices to train, develop their skills, and learn the adventurers’ ways of life. It isn’t an easy life, but here in county overseen by the village chief there are barely any substantial dangers.

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All adventurers will eventually become well-acquainted with Prontera, the capital of the Rune-Midgarts kingdom. The King’s castle seated on the top of a hill overlooks the town bustling with adventurers and merchants alike. It is a crowded town; there are many guilds, stores, bars, and even a church. The music no longer has the pastoral feel of Hodemimes, we now are immersed the crowdedness of a small medieval Celtic city. From the King Tristan’s Castle we hear the echoes of a bagpipe salutation, and all around we hear the busy crowds of the city move in, out and about.

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In the previous decade Rune-Midgarts was industrializing, but due to intervention by greater forces, the industrialization was halted. Cognito was once a large industrial town, full of factories and labourers, but now it is abandoned. Mechanized fiends wander around the outskirts of the town, showing hostility towards those of other races. The once busy city is now an industrial junkyard; factory scraps are littered everywhere and the stench of rust lingers in the alleys. We hear a lonely saxophone lament, but its echoes fall upon deaf ears: Few travellers visit Cognito, and those that do leave only shortly after they finish their business.

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Far north in the Alfheim Forest, far from Norman (Human) development, live the spiritual Ellr elves. The Ellr obtain their magical powers by links with nature, and have built their town around the Mother Tree. A large library full of religious works is built into a large cranny in the surrounding mountains, Many Ellr come here to worship or to enrich their magical abilities. The Ellr are much sanctified; the music emphasizes the importance of their spiritualism and religion. The Ellr village lacks the casualness of the Hodemimes village, they are a devout civilization and unlike Normans spend much of their time meditating.

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Scattered around the lands are the homes of various tribes. These are monsters that have evolved to sentience, but still lack the intelligence and craftsmanship of the Norman and Ellr races. Their music is very primitive in feel, with heavy ethnic beats and tribal chants. Due to oppression and uncompromising behaviour these tribes are becoming more and more hostile towards the Normans, and fewer and fewer adventurers are able to learn about the depth of these tribes’ cultures.

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Aside from composing music for the geographic locations, many of the NPCs have their own themes as well. Misha is a perky and cheerful shoplady, while Holgrar the blacksmith is much more straightforward and always hard at work in his shop.

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There are some songs that I have not heard in-game, but according to the title they are part of the game’s plot scenario. Various styles exist here, from symphonic suites to upbeat military briefings.

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And remaining are the “uncategorized” songs; songs I do not know the exact background behind. But they all have the same great traditional ambience presented by Ragnarok Online 2, and amongst them are my personal favourites of the soundtrack. Closing my eyes while listening to these songs instantly teleports me to another world where man lives in harmony with nature and the greater forces of the world.

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To sum up, Ragnarok Online 2’s soundtrack is a serene symphonic compilation using the music of various fictional civilizations. Due to continuously delayed production and release of the game, I believe this soundtrack to be underrated because it is unheard of by most people. Kanno did a great job at composing music that attaches us to the natural world, making players breathe the crisp morning mist through their ears in our expeditionary quest through the Rune-Midgarts Kingdom.

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I have made the entire soundtrack available to download. The files from the Korean Open Beta are in Ogg Vorbis format, aside from meta tags these are the original files extracted from the official client. Songs that didn’t make it from the third Closed Beta to the Open Beta are included, these are in MP3 format. I have archived the collection into two files to facilitate downloading.

• RO² OST Part 1 of 2 (148.97 MB OGG/MP3 in RAR archive)
• RO² OST Part 2 of 2 (199.03 MB OGG/MP3 in RAR archive)