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I hope you all have at least heard of her, but for those that haven’t, Yoko Kanno is one of the most famous music composers in the anime and video game industry. Her list of works is not the longest, but she far exceeds in quality. Some works include the soundtracks for Cowboy Bebop, Ghost in the Shell, Card Captor Sakura, and the Honey and Clover live action movie.

Before we can fully appreciate a soundtrack, we must understand the setting the songs will be used in. Ragnarok Online 2 is a medieval fantasy world based on Norse mythology, and the main focus of the game is adventure and socializing. The game world is very pristine, with large fields, swamps, and forests alike. In the towns, there is a very rustic historical feel, and the attire the characters wear share similar qualities.

If you like symphonic compositions with a very serene cultural feel, you will most definitely love this soundtrack. The primary palette includes the viola, piano, harp, and hand drums. There are some select tracks with goodies like the mythical vocalist Gabriela Robin, and some great supporting instrumentals like the didgeridoo, marimba, and pan flute.

The first song you hear is the intro theme to the game. My first time opening the game to the login screen, I couldn’t help but listen to half the song before entering my login credentials. We hear a vocal feature in a fantasy language, which to me sounds like a mix between Latin, French and Elven. The harp and string chorus pull my consciousness into the vast outdoors; I feel as if I am flying in the air over a vast plain with forests and mountains looming in the horizon.

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Welcome, young adventurer, to the town of Hodemimes. This is a quiet coastal town with no more than a few dozen yurts and pavilions. It is here where adventurers start their journeys; a friendly, social, but quiet community. At the outskirts there is a vast coastal field for novices to train, develop their skills, and learn the adventurers’ ways of life. It isn’t an easy life, but here in county overseen by the village chief there are barely any substantial dangers.

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All adventurers will eventually become well-acquainted with Prontera, the capital of the Rune-Midgarts kingdom. The King’s castle seated on the top of a hill overlooks the town bustling with adventurers and merchants alike. It is a crowded town; there are many guilds, stores, bars, and even a church. The music no longer has the pastoral feel of Hodemimes, we now are immersed the crowdedness of a small medieval Celtic city. From the King Tristan’s Castle we hear the echoes of a bagpipe salutation, and all around we hear the busy crowds of the city move in, out and about.

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In the previous decade Rune-Midgarts was industrializing, but due to intervention by greater forces, the industrialization was halted. Cognito was once a large industrial town, full of factories and labourers, but now it is abandoned. Mechanized fiends wander around the outskirts of the town, showing hostility towards those of other races. The once busy city is now an industrial junkyard; factory scraps are littered everywhere and the stench of rust lingers in the alleys. We hear a lonely saxophone lament, but its echoes fall upon deaf ears: Few travellers visit Cognito, and those that do leave only shortly after they finish their business.

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Far north in the Alfheim Forest, far from Norman (Human) development, live the spiritual Ellr elves. The Ellr obtain their magical powers by links with nature, and have built their town around the Mother Tree. A large library full of religious works is built into a large cranny in the surrounding mountains, Many Ellr come here to worship or to enrich their magical abilities. The Ellr are much sanctified; the music emphasizes the importance of their spiritualism and religion. The Ellr village lacks the casualness of the Hodemimes village, they are a devout civilization and unlike Normans spend much of their time meditating.

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Scattered around the lands are the homes of various tribes. These are monsters that have evolved to sentience, but still lack the intelligence and craftsmanship of the Norman and Ellr races. Their music is very primitive in feel, with heavy ethnic beats and tribal chants. Due to oppression and uncompromising behaviour these tribes are becoming more and more hostile towards the Normans, and fewer and fewer adventurers are able to learn about the depth of these tribes’ cultures.

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Aside from composing music for the geographic locations, many of the NPCs have their own themes as well. Misha is a perky and cheerful shoplady, while Holgrar the blacksmith is much more straightforward and always hard at work in his shop.

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There are some songs that I have not heard in-game, but according to the title they are part of the game’s plot scenario. Various styles exist here, from symphonic suites to upbeat military briefings.

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And remaining are the “uncategorized” songs; songs I do not know the exact background behind. But they all have the same great traditional ambience presented by Ragnarok Online 2, and amongst them are my personal favourites of the soundtrack. Closing my eyes while listening to these songs instantly teleports me to another world where man lives in harmony with nature and the greater forces of the world.

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To sum up, Ragnarok Online 2’s soundtrack is a serene symphonic compilation using the music of various fictional civilizations. Due to continuously delayed production and release of the game, I believe this soundtrack to be underrated because it is unheard of by most people. Kanno did a great job at composing music that attaches us to the natural world, making players breathe the crisp morning mist through their ears in our expeditionary quest through the Rune-Midgarts Kingdom.

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I have made the entire soundtrack available to download. The files from the Korean Open Beta are in Ogg Vorbis format, aside from meta tags these are the original files extracted from the official client. Songs that didn’t make it from the third Closed Beta to the Open Beta are included, these are in MP3 format. I have archived the collection into two files to facilitate downloading.

• RO² OST Part 1 of 2 (148.97 MB OGG/MP3 in RAR archive)
• RO² OST Part 2 of 2 (199.03 MB OGG/MP3 in RAR archive)