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I can’t decide which scene is better: Nagisa’s drunk scene in Clannad After Story 13 or Teletha Testarossa’s sleepwalking scene in the Full Metal Panic! The Second Raid OVA.
They’re both so adorably cute and out-of-character (which only adds to the cuteness!) Nagisa has turned into a very intimate tsundere and Tessa is off in her dream world where all there is is Sagara, Sagara, and maybe some more Sagara. You gotta love the facial panic of the men, too.
If you want to download the above videos for whatever reason, here are the links:
So it’s about time for me to catch up in my Clannad blogging, so here are some quick thoughts on the past four episodes. Just as a reminder, 09 was the graduation episode, 10 was the moving out episode, 11 was the work-related episode and 12 was the failed job transfer.
I think in Episode 09 was the first time we see Okazaki cry. Despite his poor academic performance he’s quite stable emotionally, so I was really quite surprised to see him cry because he graduated. That’s really awkward if you think about it that way, ne?
But, Tomoya and Nagisa’s characters have been changing a lot since they started dating, and everywhere we see hints of Tomoya finally maturing and taking responsibility for his own life. He doesn’t want to end up like his father, after all, so this character development is only natural.
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Hardcover, 244 pages.
My second artbook review will be for Studio Ghibli’s Spirited Away. This book was a nice grab from amazon.ca, $25 shipping included (I added it to my friend’s order so she could get the free shipping quota). Compared to my Clannad Visual Fan Book it’s not as in-depth, but there are a lot of early development sketches, rough line art and unedited watercolour backgrounds which I was really looking forwards to, especially for a production from Mr. Hayao Miyazaki. There’s a certain beauty that is expressed through draft-quality hand-drawn watercolour paintings, I expect Ponyo on a Cliff is following through with that logic.Because this book is in English I can understand all of the captions, however there isn’t nearly as much text as the Clannad Visual Fan Book.
“Most people panic and collapse while shouting, “It can’t be true.” Those people will be erased or eaten up in the situation in which Chihiro finds herself. In fact, Chihiro’s being strong enough not to be eaten up is just what makes her a heroine. She is a heroine not because she is beautiful or because she possesses a unique mind. This is the key characteristic of this work.”
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Finally, three months after placing my order, I received my Clannad Visual Fan Book yesterday, shipped all the way from Nippon. And so it is about time I revive TsundereStorm, I’ve been on “hiatus” for more than a month (though occasionally I was finalizing my design for TsundereStorm 1.0 in my sketchbook on the subway).
Yeah, working in retail is busy, especially before the Christmas season. I finally got back into the animanga business after the New Year. Good timing for the arrival of my Clannad book!

The first page of the book is a delicious Kyou Fujibayashi conveniently locked in the gym equipment storage room.
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Misae’s arc has now concluded and we move on to the next supporting character Yukine Miyazawa. All the moonwalk-characters in the ED have now been introduced to us, and I take this as a sign that After Story will return to the original characters; Tomoya and Nagisa most importantly. I personally am getting a bit weary of these two-episode mini-arcs that, albeit being touching nonetheless, don’t really fit into the grander scheme. But back on topic:
Yukine is a no-bias humanitarian figure who will never fail to care for anyone regardless of their history. She is reputable between both dominating clans, and is seen as a mothering figure. If you haven’t noticed already, one of the biggest themes in Clannad is the need and result of having a family. Tomoya moved out because he was having problems with his father, Nagisa had that incident where her parents reformed themselves for her sake, Kotomi is orphaned, Tomoyo was on the verge of having a broken family, and now we find out that Yukine is assuming a parent-like role for her brother and his entire gang. The theatre club is just a family within the student body as a substitute or supplement to their blood family; the members aren’t there for the theatre but for each other.
Likewise, with a gang, they aren’t there for the fights or parties, but for each other. It’s natural for different groups of people to have disputes with each other regardless of whether we call them “gangs” or not; the Theatre Club had a conflict with the Music Club over the issue of the teacher-supervisor. Gangs are generally comprised of male members, and males are generally less sensitive and easily aggravated, so they are more prone to physical solutions. Regardless, disputes, physical or not, are the main reason why people join hands and team up, and the way these disputes are resolved is what strengthens or weakens the bonds between the members. With Yukine’s brother in the hospital, Yukine is the keystone for her brother’s gang as a primary caregiver and role model, much like how Tomoya was the key member to the theatre club during its founding days.
Currently, the theatre club has no particular figure of dominance, and judging by the next episode preview when Yukine’s monarchist gang runs into leadership issues we will learn why an even-authority status is best in family relationships. It’s my bet that Tomoyo Sakagami will play a big part in this arc due to her experience with gangs and family problems, and that she and Yukine will be on anything but good terms with each other.